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This premier wedding package delivers the best preferred Hotel Indigo room block rate, package pricing for the Century Memorial Chapel at Naper Settlement plus exceptional inclusions at Elements at Water Street. Nestled along the DuPage River, this beautifully customized boutique hotel has reached the sky. Enjoy free WiFi, free parking, and a free area shuttle. The hotel offers 158 guest rooms featuring 37 suites from Riverfront King Suites to Terrace Suites. Welcome to the Hotel Indigo Naperville Riverwalk, conveniently located in the heart of the downtown community. Stay at this 3.5-star business-friendly hotel in Naperville. Hotel Indigo Naperville Riverwalk, an IHG Hotel i Naperville Book overnatting til ekstra gode priser 346 gjesteomtaler og 45 bilder finner du på . Featuring 3-star accommodations, Hotel Indigo Naperville Riverwalk, an IHG Hotel is located in Naperville, 29 miles from United Center and 31 miles from Union Station. Hotel Indigo Naperville Riverwalk, An Ihg Hotel - Hotel Indigo Naperville Riverwalk is located in within 0.2 miles of the 12-acre outdoor Naper Settlement. Local art, rustic wood tones and antique touches immerse guests in the history of the Naperville Riverwalk neighborhood - a perfect backdrop for bridal photos. Book now & save up to 50 with TiCATi Share your stay to save more. Hotel Indigo Naperville Riverwalk is an upscale boutique hotel at the center of Naperville’s colorful downtown district. Experience Hotel Indigo Naperville Riverwalk. Located on the 2nd floor of Hotel Indigo, the ballroom comfortably seats 250 guests. This stunning ballroom boasts an organic, contemporary space with a signature wood ribbon ceiling and offers a separate pre-reception area for cocktails and hors d’oeuvres. Conveniently located just steps from Naper Settlement in the heart of downtown Naperville, Elements at Water Street offers custom menu planning, wedding coordination, premium full-service bar and personalized tastings. "One of the things you swear to do and on a Bible is to preserve, protect and defend the Constitution of the United States. "He said that it was okay to suspend the Constitution if you think the election was stolen from you.now, I want to remind you what the oath of office is for president of the United States," Christie said. However, he made clear Trump did not uphold the Constitution and that the country needs a president who understands law enforcement. 6 investigation, Christie said he doesn't know what the charge or charges will be, noting that he is a "careful prosecutor" who doesn't comment on these things. He did it to himself."Ĭhristie said that Trump "lied and obstructed the government" from obtaining the classified documents kept at his Mar-a-Lago estate after he left the White House in 2021. "If you're a Republican in this room, who is committed to wanting to defeat Joe Biden because you think he's not the right president, why in God's name would we nominate somebody who is going to be on federal criminal trial five and a half months before Election Day?" Christie said. 6 caseĬhristie noted that Trump's classified documents trial is scheduled in May 2024, and said Republican voters should think long and hard before nominating a man who could be convicted of a crime before the party's nominating convention. Christie talks classified documents probe, Jan. "That and that alone should disqualify him from being our nominee in 2024," Christie said. To that point, Christie cited reports that Trump is using about half of his campaign contributions for legal fees. In arguing against Trump, Christie said the former president is more concerned with the criminal indictments pending against him than with the job of being president. "He's proven he can't do it," Christie said. And yet Trump has been a failure there too, the former New Jersey governor said.ĭuring his time in office, he said, Trump failed to build much of a border wall, added $6 trillion to the federal debt, and left many promises unfulfilled. Many Republicans know that Trump is a liar and a grifter, Christie said, but say they agree with his policies. He also attacked Biden for his age saying that he is past his "sell-by date." Christie on Trump: 'He's proven he can't do it' And he came into office and he ran as far left as he could."Ĭhristie criticized Biden on inflation, the withdrawal of troops in Afghanistan and his handling of energy independence. "And a lot of people − I mean − that a lot of people voted for him based on that idea. "He ran for president in 2020 saying he's gonna bring the country together, that he was going to be a moderate leader for the country and try to bring the two extremes of both parties into a place where they could work together," Christie said. "You have a unique position and you know it." 'Joe Biden has let this country down'Ĭhristie opened his town all by arguing that both he and his wife feel "Joe Biden has let this country down in just about every way you can think of." "I'm here in South Carolina because you know what?" Christie said. The former New Jersey governor has spent most of his campaign travel in New Hampshire, where he finished virtually last in the 2016 primary. Christie’s interest in South Carolina comes as other candidates, including Trump, have made appearances in the state. He said his first motivation for getting into the presidential race was "we have to get rid of Joe Biden." they're afraid of him."Ĭhristie also attacked Democratic President Joe Biden. "They won't tell you the truth about Donald Trump," Christie said. WASHINGTON - Republican presidential candidate Chris Christie took his New Hampshire-centric campaign to South Carolina on Friday, but gave southern Republican voters the same message: The party cannot afford to nominate Donald Trump.Ĭonducting a town hall in Columbia, S.C., Christie said he is the only Republican candidate willing to call out Trump as a liar and a grifter, while other challengers are giving him a pass. A multistage fusion weapon is also far more difficult to make reliable and miniaturize, and complexity and the number of “stages” does increase with yield.Īn unclassified description of the difference in Wikipedia notes that, A true multistage fusion weapon is far harder to design and actually build than the fission weapon used to trigger it. The second option is a multistage thermonuclear weapon. If all North Korea wanted was to demonstrate some form of thermonuclear device, regardless of true military value, it might have chosen to demonstrate a far more limited variation on a single stage thermonuclear weapon. It also focuses on a period in the arms race where nuclear powers were seeking massive yield increases. This description does not address the weapon’s weight, the problems in moving to higher yields, cost, technological complexity, and a number of other key issues. In comparison, a "true" hydrogen bomb can produce up to 97% of its yield from fusion, and its explosive yield is limited only by device size. Joe-4 yielded 400 kilotons of TNT (1.7 PJ). This kind of thermonuclear weapon can produce up to 20% of its yield from fusion, with the rest coming from fission, and is limited in yield to less than one megaton of TNT (4 PJ) equivalent. Energy from fission of uranium-238 is useful in weapons: both because depleted uranium is much cheaper than highly enriched uranium and because it cannot go critical and is therefore less likely to be involved in a catastrophic accident. This fission then releases energy and also neutrons, which then create more tritium from the remaining lithium-6, and so on, in a continuous cycle. This 14 MeV neutron then strikes an atom of uranium-238, causing fission: without this fusion stage, the original 1 MeV neutron hitting an atom of uranium-238 would probably have just been absorbed. This creation of high-energy neutrons, rather than energy yield, is the main purpose of fusion in this kind of weapon. The fusion of tritium and deuterium produces a neutron with an energy of 14 MeV-a much higher energy than the 1 MeV of the neutron that began the reaction. At the temperature created by fission in the core, tritium and deuterium can undergo thermonuclear fusion without a high level of compression. When this type of bomb explodes, the fission of the highly enriched uranium or plutonium core creates neutrons, some of which escape and strike atoms of lithium-6, creating tritium. The Soviet Layer Cake was similar to the American Alarm Clock design, which was never built, and the British Green Bamboo design, which was built but never tested. Some designs (including the layer cake) had several alternate layers of these materials. These weapons had a fissile core surrounded by a layer of lithium-6 deuteride, in turn surrounded by a layer of depleted uranium. Reporting in Wikipedia describes one thermonuclear option for North Korea that would represent some degree of serious design progress, but would have minimal warfighting impact in terms of nuclear effects and potentially be so heavy that a test demonstration on the ground would not indicate North Korea could acquire a meaningful bomb or warhead.Įarly thermonuclear weapon designs such as the Joe-4, the Soviet "Layer Cake" ("Sloika", Russian: Слойка), used large amounts of fusion to induce fission in the uranium-238 atoms that make up depleted uranium. There are obvious risks in any public discussion of nuclear weapons design, but there are highly public sources that do seem accurate enough to illustrate the issues involved. It is possible, however, that North Korea has tested a crude single stage nuclear weapon more to celebrate its erratic leader than achieve major military effects, and it might well be difficult to determine its success in doing so. In the worst case, going from its past fission to a real thermonuclear design, the difference could be dramatic. This, in turn, presents the paradox that small nuclear forces with limited effectiveness can push a given power – particularly one with extreme authoritarian leadership – into nuclear postures that present far more risks than the far larger and more capable nuclear forces of major powers. It is also important to understand that North Korea’s success in developing any given nuclear weapon will interact with its missile design reliability, and capability. It is still equally possible that it has simply lied, tried some form of fission-fusion design and failed, or has some uncertain degree of success in “boosting” a fission weapon and claimed this made it a thermonuclear weapon. North Korea may or may not have been able to demonstrate its ability to use a fission weapon to produce some form of fusion or thermonuclear yield. The reports on North Korea’s latest nuclear test are now more an exercise in uncertainty than a clear demonstration of North Korea’s actual nuclear capabilities. With the caveat that they be aware of the lack of back matter, this is one I would recommend to those children interested in the history of Silent Night, or in the history of music transmission in general. I had encountered Tim Ladwig's work before, in the version of Good King Wenceslas that he illustrated, but it was good to see more of it. Leaving that flaw aside, I did greatly appreciate this one, both for its text and for its gorgeous illustrations. Given that this is meant to be an informational book, I found the lack of afterword or source notes truly disappointing. I do wish that the author had included her sources however, as I cannot find any information on that second anecdote, or on the one set in a Russian prisoner-of-war camp (also during WWI). There were moments, during my reading, that I found myself tearing up, particularly when Hodges described how the song was sung across the trenches of World War I, or how a Korean Army unit sang it as they moved along during the Korean War. That part of the story - the creation of the song - was the only part I already knew, so the rest of it - how it spread and became popular, how its singing has bridged many divides, even in the midst of war - was new to me. I found Silent Night: The Song and Its Story both informative and moving, and appreciated the history it provided of the carol after it was initially created by Mohr and Gruber. It went on to be translated into many languages, to be sung at key moments in various conflicts, including the 1914 Christmas Truce during World War I, and remains a most popular Christmas carol today. It was brought to America by another singing family of the Ziller Valley, and first translated into English in 1863, by John Freeman Young. This warmly ilustrated story tells of how the beloved Christmas carol. It eventually caught the attention of King Frederick William IV of Prussia, who had it sung every Christmas by his Cathedral Choir, and whose curiosity about its origins led to its true authorship being revealed. Read 32 reviews from the world's largest community for readers. Sung by the Strasser Family of the Ziller Valley. The origin of the song was forgotten for a time, but it was popularized by an Austrian family who sang it at a fair in Leipzig, leading to its inclusion in a small book entitled Four Songs of the Tyrol. Written by Austrian priest Joseph Mohr on Christmas Eve, 1818, when his church's organ broke down, thereby threatening the music that made such an integral part of their congregation's Christmas Eve mass, the words of the song were paired with a tune composed by church organist Franz Gruber. Algeria, Angola, Argentina, Australia, Bahrain, Benin, Bermuda, Bolivia, Botswana, Brazil, Brunei Darussalam, Burkina Faso, Burundi, Cambodia, Cameroon, Canada, Cape Verde Islands, Central African Republic, Chad, Chile, Colombia, Comoros, Côte d'Ivoire (Ivory Coast), Democratic Republic of the Congo, Djibouti, Ecuador, Egypt, Equatorial Guinea, Eritrea, Ethiopia, Falkland Islands (Islas Malvinas), Gabon Republic, Gambia, Germany, Ghana, Greenland, Guinea, Guinea-Bissau, Guyana, Hong Kong, Indonesia, Iraq, Israel, Japan, Jordan, Kenya, Kuwait, Laos, Lebanon, Lesotho, Liberia, Macau, Madagascar, Malawi, Malaysia, Mali, Mauritania, Mauritius, Mayotte, Mexico, Morocco, Mozambique, Namibia, New Zealand, Niger, Nigeria, Oman, Paraguay, Peru, Philippines, Puerto Rico, Qatar, Republic of the Congo, Rwanda, Saint Helena, Saint Pierre and Miquelon, Saudi Arabia, Senegal, Seychelles, Sierra Leone, Singapore, Somalia, South Africa, Suriname, Swaziland, Taiwan, Tanzania, Thailand, Togo, Tunisia, Turkey, Uganda, United Arab Emirates, United Kingdom, Vietnam, Virgin Islands (U.S.Author Margaret Hodges and illustrator Tim Ladwig join forces in this picture-book history of one of the world's most beloved Christmas carols. 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IMDb: Barbara Williams / Romy Windsor - Bio, Filmography, Personal Details 10 3 2 1984 100 min Rated R No Release Date Large: Front Add to collection Add to wish list Become a fan Romance Psychological thriller Drama Video Codec: TBA Resolution: 1080p Original.Check DevilWorks for more stuff or additional versions:.He then pursues the woman, using his secret knowledge. Search for more clips with (co-)appearance of A thief steals a womans diary when hes ransacking her house. is your comprehensive resource for medical imaging centers across the nation. Luray Caverns is the largest caverns in the eastern United States, yet walking through feels more akin to an unearthly experience.There is/are 4 clip(s) from " Thief of Hearts" online. Perry knows who her audience is and plays to it. The audience mix consisted of girls, girls and more girls in-between everyone else. *the act performed in&around pool of water on main stageĢ2.Pop princess Katy Perry brought her Witness tour to Tampa’s Amalie Arena on Friday night! Along with her band and dancers she brought a fun collection of over-sized stage props to enhance and entertain her setlist of pop tunes. Swish Swish (Remix) ġ7. The One That Got Away/Thinkin' Of YouĢ0. This Is How We Do (During shows in December replaces with «Everyday Is A Holiday») I really like this set list I'd make a couple of changes, but overall I am liking it!ġ. Finally, the tour ends with Roar interpolated with It's a Hard Knock Life, as we stay chained to the rhythm. The encore is then Chained to the Rhythm which has now moved from her opener to the penultimate song and once again showcasing the whole theme of the tour with it sonically sounding similar to Witness. She may also choose to perform TIHWD or Birthday at selected dates (preferably Birthday). After Katy is finished, Act VIII starts with the final "upbeat / hits" act starting with Act My Age - a song about always feeling young - which is followed up by the penultimate number one hit on this setlist Last Friday Night. This may or may not have an intro with the use of Rise, but the entire act is just the one song Wide Awake as we can see we're beginning to end the tour. Power is perfect to perform here and get the crowd going again followed by the rock mix of I Kissed a Girl.Īct VII begins after the IKAG instrumental is finished. This would then be followed by Bigger than Me as it doesn't sound too out of place and bridges into Act VI perfectly where she moves from pop to a more rock sound. This section would finish with Into Me You See.Īct V would bring the tempo right up with California Gurls opening and going straight into Hot N Cold. She could then follow this up with either Unconditionally (since she loved it) or MIss You More but these would be at selected dates only. This would be followed by the acoustic version of Part of Me she's been doing since the Manchester attacks. As we've seen today, she still loves TOY, so now is the time to bring it into the acoustic act. The other songs are definitely performed acoustically but Save as Draft could be either realistically. Deja Vu also takes that mysterious vibe one step further and Tsunami is a perfect bridge from the mystery to a more chill act.Īct IV is the ballad section and begins with Save as Draft to ease us in. I like the way Firework entered into Dark Horse in the R1 Weekend so I kept it. Pendulum and Firework are not too far off sonically, so it doesn't sound too strange.Īct III starts with Dark Horse and uses that kind of sound for the entire section. This section basically refers to Katy's hits and also shows that she still has them and goes onto two of the more singleworthy songs on the album - Roulette and Pendulum - with the latter then going into one of (if not) her biggest hits Firework. Therefore, Bon Appetit was chosen (due to CTTR sounding too samey and working better in the encore) to follow Witness, and then followed by Hey Hey Hey.Īct II then opens with Teenage Dream. Since this is the Witness tour, the first act should be Witness-material only, but be short enough to bring in some hits with Act II. It's the tour name it's the theme of the era. Birthday or This is How We Do Īct I obviously opens the tour with Witness like the track opens the album. Don't have visuals and things planned out, but I have a general sound I suppose.ġ5. Ok, so for my basis, I used the Radio 1 Big Weekend performance but switching out CTTR for Witness as the opening song, and putting CTTR as the song before roar in the encore, and filling the rest in with Witness tracks and other hits. What do you think of my setlist guys? What would you add/remove?Ĭreate your own setlist/tour ideas and post them so we can all witness them! Video Interlude (with elements from Circle The Drain)ĪCT IV: SELF-CONSCIOUSNESS (Acoustic Act)ġ3.- The One That Got Away / Thinking Of You Video Interlude (with elements of Pearl & Who Am I Living For) Intro Video (with elements of Wide Awake, Part of Me & Tsunami) Each act would represent a different kind of liberation/realization. The tour would talk about the reality of the world we live in and how to be liberated in all the aspects of your life. You can post songs, interludes, ideas for acts and all the stuff you want. 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